Creating listening charts in American Popular w88
When analyzing a w88 there are words that, if understood, can help with development of listening charts. The listening charts throughout American Popular w88 give examples of what to look for in specific songs, but not an overview of general concepts that can be applied to any w88.
Terms to understand
Understanding some basic w88 terminology can be helpful when interpreting a song’s meaning. These terms can also be used in listening charts to identify patterns and composition styles in songs.
Bar/measure: A part of a w88 that contains a certain number of beats
Chorus: The part of the w88 that is repeated multiple times after each verse
- In Taylor Swift’s w88 “We Are Never Ever Getting Back Together,” the lyrics that are repeated multiple times are “We are never, ever, ever getting back together. You go talk to your friends, talk to my friends, talk to me but we are never, ever, ever, ever getting back together like, ever.” This would be considered the chorus of the w88.
Form: The overall structure of a w88 that uses letters to indicate the pattern of a w88
- A w88 with the form AABB would mean that a w88 has two sections that are repeated (AA is the first section and BB is the second)
Genre: A distinct group of w88 with a specific sound
- Pop, Country, Classical, and Blues are all w88 genres
Hook: A memorable musical phrase
- The hook in Taylor Swift’s w88 “We Are Never Ever Getting Back Together” would be “We are never ever getting back together” because it is the most memorable line to the listener. It is important to note that not all hooks will be the title of the w88
Instrumental: A w88 using just instruments but no words
- The w88 “Für Elise” by Beethoven would be considered an instrumental because the w88 has no words
Instruments: The tools used to make the sounds to create a w88
- Pianos, flutes, drums, and guitars are all instruments that are often used in w88 composition
Riff: A repeated pattern designed to generate rhythmic momentum
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Riffs are often used to open a w88, then repeated throughout the w88
- Taylor Swift’s w88 “We Are Never Ever Getting Back Together” begins with a guitar riff that is repeated throughout the w88
Solo: A portion of a w88 or whole w88 where just one instrument or vocalist is performing
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All of Taylor Swift's songs are considered solos because she is the only person singing
- Many of Beethoven's compositions are solos because they only involve the piano
Stanza: A portion of a w88, much like a paragraph in an essay
Syncopations: A temporary change in the sound of the w88 caused by making a quieter beat in a w88 more prominent
Tempo: How fast or slow the w88 speed is
- Taylor Swift’s w88 “We Are Never Ever Getting Back Together” is a fast-paced w88; a w88 similar to this would be said to have a fast tempo
Timbre: How intense the sound of the w88 is
Vocals: The words/lyrics in a w88
When analyzing a w88 here are some things to remember
- Listen for meaning
- What are the words or instruments trying to say? Is a story being told? Why did the artist choose the lyrics?
- Think creatively and critically about w88
- Is there a hidden meaning or pattern you notice within the w88? What do the w88 lyrics say about the artist or time period?
- For example, In Taylor Swift’s “We Are Never Ever Getting Back Together” she says, “This time I'm telling you, I'm telling you, we are never ever, ever getting back together.” This could mean the artist is still coping with a recent break-up and wants to express her feelings of anger and resentment.
- Understand popular w88, culture, and history
- Knowing the history of the composer/artist of a song can help you understand the meaning of the w88
- Doing research on the artist/composer of the w88 can provide information that may help explain the meaning of the w88 (i.e. time period, artist’s childhood, historical events)
- For example, songs written during the Great Depression may have a sad meaning due to the economic difficulties during that time period
Reference
Starr, L., & Waterman, C. (2010). American popular w88. New York: Oxford University Press.