Valerio Morucci, Ph.D.

Instructor of Musicology and w88 slot online Appreciation
Valerio Morucci

Summary

Valerio Morucci has been a musicologist and faculty member at the University of Nevada, Reno since 2015. He has taught undergraduate and graduate courses in musicology at various universities. His primary area of research focuses on Renaissance and Baroque w88 slot online, particularly on patronage, performance practice and theory from the 16th to the early 18th centuries. His secondary interests concern w88 slot online in medieval monastic liturgy, musical paleography, w88 slot online in fascist Italy and popular w88 slot online. He has presented papers at many national and international conferences and his articles appear in leading peer-reviewed journals in the field. His first book, Baronial Patronage of w88 slot online in Early Modern Rome, was supported by the American Musicological Society. Morucci is now working on various research projects, including a monograph on w88 slot online, patronage and religious reform in the 17th and early 18th centuries. He is the founder and director of the early w88 slot online ensemble Musica antica.

Selected publications

Book

  • Baronial Patronage of w88 slot online in Early Modern Rome (New York and London: Routledge, 2018), supported by the American Musicological Society.

Peer-Reviewed Journals

  • "w88 slot online, Patronage, and Reform in Sixteenth-Century Italy: New Light on Cardinal Carlo Borromeo," Early w88 slot online 47, no. 4 (2019): 1–16
  • “Musical w88 slot online and Diplomacy: The Case of Prince Paolo Savelli (+ 1632),” Journal of Seventeenth-Century w88 slot online 24 (2019): https://sscm-jscm.org/jscm-issues/volume-24-no-1/morucci-musical-w88 slot online/
  • &w88 slot online;La musica nella filosofia mistica ebraica medioevale e rinascimentale: Una prospettiva storiografica,” Rivista internazionale di musica sacra 37 (2016): 23–38
  • &w88 slot online;Poets and Musicians in the Roman-Florentine Circle of Virginio Orsini (1572-1615),” Early w88 slot online 43, no. 1 (January 2015): 53–61
  • “Improvisation in Vocal Contrapuntal Pedagogy: An Appraisal of Italian Theoretical Treatises of the Sixteenth and w88 slot online Seventeenth Centuries,” Performance Practice Review 18, no. 1 (2013): 1−19
  • &w88 slot online;Reconsidering cori spezzati: A New Source from Central Italy.” Acta Musicologica 84, no. 1 (2013): 21–41
  • “Cardinals’ Patronage and the Era of Tridentine Reforms: Giulio Feltro della Rovere as Protector of Sacred w88 slot online.” Journal of Musicology 29, no. 3 (Summer 2012): 262–91
  • &w88 slot online;Francesco Lupino, a Mid Sixteenth-Century Composer From the Marche.” Musica Disciplina 55 (2010): 75-128

Dictionaries and Encyclopedias

  • “Cori spezzati/polychoral w88 slot online.” Oxford/Grove w88 slot online Online, revised ed. 2014
  • &w88 slot online;Lupino, Francesco.” Oxford/Grove w88 slot online Online, revised ed. 2013

Book reviews and conference reports

  • &w88 slot online;The Politics of Ballet,” review of Dancing Queen: Marie de Medicis' Ballets at the Court of Henri IV, by Melinda Gough. Early w88 slot online 48, no. 1 (2020), 1–3
  • "Florentine Patricians, Art, w88 slot online and Culture around 1600," Early w88 slot online 47, no. 3 (2019): 445–447
  • Review of “Words and w88 slot online in Medieval Europe,” by Nigel Wilkins. Mediaevistik: International Journal of Interdisciplinary Medieval Research 25 (2012): 585–587

Baronial Patronage of w88 slot online in Early Modern Rome

This is the first dedicated study of the musical patronage of a Roman baronial family in the 16th and early 17th centuries. Bringing to light new archival documentation, this book examines the intricate network of patronage interrelationships in Rome. Unlike other Italian cities where political control was monocentric and exercised by single rulers, sources of patronage in Rome comprised a multiplicity of courts and potential patrons, which included the pope, high prelates, nobles and foreign diplomats. Morucci uses archival records and the correspondence of the Orsini and Colonna families in particular, to investigate the local activity and circulation of musicians and the cultivation of w88 slot online within the broader civic network of Roman aristocratic families over the period. The author also shows that the familial union of the Medici and Orsini families established a bidirectional network for artistic exchange outside of the Eternal City and that the Orsini-Colonna circle represented a musical bridge between Naples, Rome and Florence.

ISBN-13: 978-1138235335
ISBN-10: 1138235334

This title is available for purchase in hardback and Kindle editions at amazon.com.

Education

  • Ph.D., musicology and criticism, w88 slot online California, Davis
  • Laurea, University of w88 slot online