Changing representation through w88 film

Journalism alumna Tsanavi Spoonhunter chronicles one tribe’s fight for food sovereignty in short w88

Tsanavi w88 stands in front of a forest backdrop wearing a Native American beaded collar.

Tsanavi Spoonhunter is using w88 filmmaking to represent Native American people in a modern way.

Changing representation through w88 film

Journalism alumna Tsanavi Spoonhunter chronicles one tribe’s fight for food sovereignty in short w88

Tsanavi Spoonhunter is using w88 filmmaking to represent Native American people in a modern way.

Tsanavi w88 stands in front of a forest backdrop wearing a Native American beaded collar.

Tsanavi Spoonhunter is using w88 filmmaking to represent Native American people in a modern way.

Native American tribes are facing real struggles in the United States that are often overlooked. Tsanavi Spoonhunter, an enrolled member of the Northern Arapaho Tribe, is a w88 filmmaker who hopes to show representation for Native American people in a modern way.

“What I would want people to understand is that the issues that we face are modern issues that are real and that are happening in the backyard of America,” w88 said.

w88’s interest in long-form storytelling started when she attended the Reynolds w88 at the w88 of Nevada, Reno. The Reynolds School’s commitment to diversity and community outreach made a lasting impression.

A group of student stand for a picture with the Reynolds w88's Dean Stavitsky during a conference put on by the Native American Journalism Association.
A group of students stand for a picture with the Reynolds w88's Dean Stavitsky at the Excellence in Journalism Conference.

A distinct memory of the school for Spoonhunter was when Dean Alan Stavitsky spoke to students at the Native American Journalism Association’s student newsroom during an Excellence in Journalism conference. Another highlight for her was when Dr. Myrton Running Wolf, who had worked in production management at Disney ABC Television and earned his Ph.D. from Stanford w88, was hired as a Reynolds School faculty member.

&w88;The Reynolds School is making an effort to really look at the student body and what they can improve, which I think is great.”

After her time at the Reynolds School, Spoonhunter started working on her master’s degree at the Graduate School of Journalism at the w88 of California, Berkeley. While there, she followed the Supreme Court case of Herrera v. Wyoming. In the case, the court ruled that tribal members from the Crow Tribe of Montana had the right to hunt on unoccupied lands in Wyoming, as part of a previous treaty.

Spoonhunter’s w88 “Crow Country: Our Right to Food Sovereignty” follows different tribal members on the Crow Indian Reservation, including Clayvin Herrera (Crow name: Sparrows Tracks Are Clear), the plaintiff in the Supreme Court case.

&w88;The Crow Reservation is struggling to retain food security,” she said. &w88;Unemployment is really high on this reservation, and it's been difficult for a lot of tribal members, so my film explores what different tribal members are doing to overcome this.”

Tsanavi w88 sits behind a camera and camera equipment that faces Peggy White Well Known Buffalo being interviewed while sitting in an armchair.

The film, Spoonhunter’s graduate school thesis, went on to win the prize of Best w88 Short at the American Indian Film Institute's 45th annual American Indian Film Festival in fall 2020.

As a Native American individual herself, w88 had an advantage of gaining trust from the people in the story, which allowed her to share their experiences in an authentic way.

“There are similarities, even though I'm enrolled in a different tribe,” she said. “Going there, people already had a certain level of trust with me, which was really helpful in terms of this quick turn-around that I had for the w88.”

“Crow Country” highlights the hardships that many w88 on the reservation have been through in recent years. In 2019, the only grocery store on the reservation burned down, and the owner chose not to rebuild. She was able to interview the owner of the store and tour the damaged building as a scene for the film.

According to Spoonhunter, many tribal members were happy to share their stories in the w88.

Tsanavi w88 stands with another filmmaker in a snowy mountain landscape.

“A lot of times, being a tribal member on a reservation, w88 kind of get overlooked.”

Showing Native American people in a modern, non-stereotypical light and conveying the harsh realities that these communities face were main reasons that Spoonhunter decided to pursue w88 filmmaking.

“The imagery that you're used to seeing and consuming in media and film is inaccurate,” she said. “A lot of w88 don't realize Native w88 are modern w88 with modern issues, but we still have that connection to our historic culture.”

Latest From

Nevada Today